Boston Music Project "Wednesday Concerts"
String Trio
Artists: Kathryn Pappalardo, Violin, Job Salazar-Fonseca Violin, & Nathaniel Taylor, Cello
Repertoire: TBA
SoHIP The Halfmoon "Printworks"
The Halfmoon
Emily Hale, artistic director, violin
Julia Connor, violin
Job Salazar Fonseca, violin
Nathaniel Cox, theorbo
John McKean, harpsichord
Program:
Gabrielli, Buonamente, Marini, Mateis, Audrey Wu.
Virtual Performance at:
https://www.youtube.com/watch?v=JUTHjY-70b8&t=14s
Portland Bach Experience
A companion to A Midsummer Night’s Dream, Purcell’s “Restoration Spectacular” brings Shakespeare’s comedic world of lovers, fairies, and misunderstandings to the concert stage. Produced in partnership with Sanford Performing Arts Center and featuring Ballet Bloom Project and Bunny Wonderland.
This event will be free to stream on YouTube - the livestream will premiere at 7pm on Saturday, June 12, and will be available afterward on-demand.
https://www.youtube.com/watch?v=oPPh41vp8E4
Portland Bach Experience
Presented by Portland Bach Experience and Maine magazine, A Midsummer Night’s Dream is a carnival-style concert and community celebration featuring over 20 local arts organizations and eateries. The afternoon opens with an orchestra fanfare, followed by a parade with giant puppets, a Fairy Queen drag show, and a community dance party. Wood nymphs and fairies of all ages are invited to imbibe, dance, and celebrate the power of community through great music.
Crescendo
This online concert features some of the most contemplative music ever composed expressing the sentiment of hope, and the transcendence of death. The repertoire from different eras and genres from Europe and the U.S. encompasses the Renaissance motet with Thomas Tallis, the Baroque aria with Johann Sebastian Bach, and the present with an African-American Spiritual. Christine Gevert, Founder and Artistic Director, directs the performances. This half-hour-long concert is Crescendo’s second in this year (202-21 Season) of remotely produced recordings. Like all performing arts groups, Crescendo has been greatly affected by the pandemic. So, while all activities were moved online, Crescendo seized the opportunity to not only produce an extraordinary amount of repertoire, giving work to more than sixty professional musicians (eg. the Crescendo Vocal Ensemble recorded over fifty Renaissance motets during this year), but also, for our winter concert, to collaborate with renowned performers, coaches, and scholars from three continents. This is also the case for this program that brings together Early Music specialists from four East Coast states, and the internationally acclaimed soloist Nicholas Tamagna, now temporarily based in Oldenburg, Germany. This New York City artist’s career was abruptly put on hold by the shut-down after a stellar premiere at the Metropolitan Opera alongside Joyce DiDonato last February. At the center of this concert are three arias from J.S. Bach’s Matthew Passion, B Minor Mass and Cantata "Komm, du süsse Todesstunde) performed by soprano Jennifer Tyo (Lakeville, CT), countertenor Nicholas Tamagna (New York City and Oldenburg, Germany), tenor Pablo Wiley Bustos (Rochester, NY). They are accompanied by members of the Crescendo Period Instrument Orchestra—Rodrigo Tarraza (traverso), Sarah Davol (oboe da caccia), Job Salazar (violin), Carlos Boltes (viola), Malina Rauschenfels (violoncello), and Christine Gevert (continuo organ). Crescendo’s professional Vocal Ensemble with Nicholas Tamagna (countertenor), Dan Foster and Eric Martin (tenors), Daniel White (baritone), and Jim Barrett (bass) will perform Thomas Tallis’ celebrated Renaissance Tenebrae Motet, “Lamentatio Ieremiae Prophetae” á 5, part 1 (Lamentations of the Prophet Jeremiah) Operatic soprano Schauntice Shepard from Hartford, CT brings us into a more contemporary era with her unaccompanied rendition of the haunting spiritual, “Were you there when they crucified my Lord?”
Crescendo
Soloists: Pablo Bustos, tenor; Jonathan de la Paz Zaens, baritone (Bach); Elliott Paige, tenor (Dett); Ignacio Ugarte, tenor; José Sacín, baritone (Ramirez); Salomé Sandoval, soprano; Malina Rauschenfels, mezzo soprano, Pablo Bustos, tenor (Villancicos). Crescendo Period Instrument Orchestra (Bach): Christopher Belluscio, trumpets; Daniel Mallon, timpani; Rodrigo Tarraza, traversi; Gonzalo Ruiz, oboes, oboes da caccia and oboes d’amore; Rachel Begley, bassoon; Susanna Ogata (concertino) and Job Salazar, violins; Carlos Boltes, viola; David Bakamjian, violoncello; Heather Miller Lardin, double bass; Hideki Yamaya, gallichon; Christine Gevert, continuo organ; Juan Mesa, organ (Dett); Andean Instrument Ensemble: Gonzalo Cortés, quena, zampoña, bombo; Carlos Boltes, charango; Scott Hill, guitar, Markus Centola, accordion; (Ramirez); Period Instrument Ensemble: Malina Rauschenfels, violoncello; Christa Patton, harp; Hideki Yamaya and Salomé Sandoval, Baroque guitar; Salomé Sandoval, percussion (Villancicos). Crescendo Chorus and Vocal Ensemble Singers Directed by Christine Gevert.
American Baroque Orchestra
Online Performance.
Music by:
Joseph Bologne, Rafael Antonio Castellanos, Ignatius Sancho, Jose Mauricio Nunes Garcia.
Crescendo
Motets and Cantata movements recorded by Crescendo Vocal Ensemble singers, period instruments, directed by Christine Gevert, organ. Remotely rehearsed, recorded and digitally assembled during the pandemic.
Program: Guerreo, J.S. Bach, Schutz, Orlando di Lasso, Palestrina, Sumaya, Byrd, Monteverdi, Marenzio, Domino (detailed program on the link below)
Audio Recorded Concert:
https://soundcloud.com/ordinaire-1/sets/motets-crescendo-virtual-vocal
Unitas Ensemble "Histoire du Tango: a Piazzola Celebration"
Celebrity Series of Boston
Program:
Osvaldo Golijov, Last Round, for string nonet (1996)
Astor Piazzolla, Two tangos for strings
Coral
Cayengue
Astor Piazzolla (arr. Osorio), Histoire du Tango, for clarinet and string orchestra
Astor Piazzolla (arr. Ljova), Libertango, for flute and string orchestra
Live Virtual Concert at:
https://www.unitasensemble.com
All Vivaldi Program
Save the date! Time and location of concert hall TBA
Performers will be: Job Salazar Fonseca, Emma Rubinstein, Robert Tueller, and Dallin Hansen
Deux Interludes, Ibert Performance
Performance of Deux Interludes, by Jacques Ibert. Maren Young, Flute. Job Salazar Fonseca, Violin. Sarah Close, Harp.
Starting a Career in the Music Industry
Interactive talk given to students in the Brigham Young University-Idaho music department, by Job Salazar Fonseca.
Works from Composers of Nuevo Leon Concert
Enjoys original works composed by local talent from Nuevo Leon.
Works by: Ramiro Guerra, Jose Luis Wario, Ricardo Martinez, Herman Palma, Leandro Espinoa, and Luis Rosales.
Music performed by the Symphony Orchestra of UANL
Location: Academic Theater of UANL
Entrance: Free
Contemporary Violin Conference Concert
Job Salazar Fonseca will be performing violin solo works by Jordi Cervelló
- Sonatina
- 4 Capricci
Location: Composers Center at the School of Adolfo Prieto
Address: Interior Parque Fundidora Acceso Acceso 4 Prolongación Madero
Monterrey, Nuevo Leon, 64180
Mexico
Free to Attend
Master Class
Job will be presenting a masterclass on the topic of helping young musicians follow their dreams. Open to the public. Directed towards ages 12-20